Some Things to Know Before You Get Started The order doesn't always matter.ДЇind out what Ozzie Mejia thought of this beautiful and challenging puzzle game in his official The Witness review. The most important part of this game is solving the puzzles. Otherwise you risk spoiling the entire experience.ДЄlso, since there isn't any real way to check your progression, and there isn't a 'set way' to do things, our guide may feature sections in a different order than you played them in. Also, since the main point of this game is to solve the puzzles, we suggest trying to complete them on your own before looking at this guide. Since the game does feature a pretty complex amount of puzzles, we will be including several images for the solutions to help guide you along the way. There are no actors in a traditional sense, although there are invisible performance artists that control the space.This guide will feature the solutions for each and every puzzle in The Witness.

It can be played several times each day with an interval between parts. The video-performance consists of two 3/4-hour autonomous parts. MAPA has developed a special stage for The cleaning of the Augias Stalls that produce a dramatic spatial game where objects are displaced and where space has been continually constructed and deconstructed by sound, image and architectural interaction.

This video-installation has a specific space, where spectators will be part of the installation and would see and listen stories and narrations from old inhabitants (Prometheus) from workers doing construction work in the park (Heracles) and finally stories from the common people who walk every day through this non-place of the city (Leteo). On the occasion of the inauguration of the new park (Parque Tercer Milenio) MAPA will present the results of this multidisciplinary project to the international community through an installation, in the plastic sense, -architecture, image and sound in movement- and of a video-performance, in the theater sense, divided in three parts: In 20 MAPA presented, in the ruins of El Cartucho, two performances: Prometheus Ist act and Prometheus 2nd act and two video-sound-installations: Run-throughs (Mapa Teatro, 2003) and The cleaning of the Augias Stalls (part 1) (Museum of Modern Art - BogotГЎ, 2004).Д«etween 2004 and march 2005 MAPA keeps working on its artistic project with the builders of the park until its end in March 2005.

It left behind the houses, neighbours, experiences and memories of a 'barrio' that had seen moving through its streets various simultaneous events that, in an imperceptible trajectory, had sketched the country's history. Each person re-constructed his or her own fragment of the 'barrio', based on legend, memory and dream experiences that reconfigured the memory and life of this place, lived out in each story as the presence of absence, like a sign of what no longer is.Д®l Cartucho gave up its land to build a park. This place, where thousands of people survived for decades among warehouses and bottle and paper recycling workers, stalls, variety stores, little hotels, pawnshops but also delinquency gangs, drug and gun dealers, has been demolished (2000-2003) to become a modern park of the city (March 2005).Дuring the last phase of the demolition of this historical area MAPA has developed a multi-disciplinary artistic process within a group of long-time inhabitants of El Cartucho based on poetic myths and stories (The liberation of Prometheus, The works of Herakles) that could generate the production of self narratives and images that build subjectivity.Д®ach story went delving into the fragmentary threads of local legends from El Cartucho (the believable), the memories of experiences (the memorable) and dreams and personal fictions (the primitive). The starting point of this artistic project, carried out by MAPA within its Laboratory of Artists in Colombia, is the disappearance of one of the oldest 'barrios' downtown BogotГЎ: El Cartucho.

The witness ruins